- I gave the keynote lecture for the Symposium on Critical Somatics at the Expanded Contemporary Dance program within Amsterdam’s Academy of Theatre and Dance. The symposium opened their research project on Critical Somatics, and took place April 23-24 2024.
- I’ve got a peer-reviewed article out in the first dance-centred issue of postmedieval journal. “The Transhistorical, Transcultural Life of Sausages: From medieval morescas to New Mexican Matachines with Aby Warburg“ is Open Access!
- In Spring 2023, I co-organised Logic, Limits, Contingency: A Critical/Digital Spring School, bringing twelve international PhD researchers to the Freie Universität for a weeklong intensive.
- With Sima Ehrentraut, I co-curated Tbilisi-based 90’x Collective’s Online Exhibition “Visual Echoes” (site designed by Lea Hopp) supported by EXC 2020 “Temporal Communities”
- I co-organized the Einstein Forum “Scales of Temporality: Modeling Time and Predicability in the Literary and the Mathematical Sciences” with the Berlin Mathematics Research Center Math+.
- My article “Double Life of Pagan Dance” was given the Honourable Mention for the 2022 Gertrude Lippincott Award for best English-language article in the field of dance studies.
- New article out in Dance Research Journal: “What’s in a Name? Somatics and the Historical Revisionism of Thomas Hanna”. Access accepted manuscript version here (Green Open Access)
- “The Blurred Bodies of Matachines: Warburg’s Notes on A New Mexican Colonial Dance Drama” in the exhibition catalogue Lightning Symbol and Snake Dance: Aby Warburg and Pueblo Art edited by Christine Chávez and Uwe Fleckner (Berlin: Hatje Cantz). News about the publication here.
